”The thing about working on TV is when you break it down per episode or sequence, it’s easier,” Stewart-Patterson states. Over a period of six months Crafty Apes created 210 shots. “We were doing our comp work and trying to make things look seamless.” “For me, it was interesting to see because I grew up watching a movie like Elf where they did a lot of that kind of trickery,” remarks Ruth Stewart-Patterson, Production Manager at Crafty Apes. Or he was on a platform.” The methodology had to appear indistinguishable to the viewer. Or Cootie was shot in a miniature set with him being closer to the camera so he was appearing bigger. “We had shots with puppets that we had to replace the head or augment the body. “Boots didn’t want to use CG to make Cootie look bigger, so several different approaches were utilized for every shot,” states Aleksandra Sienkiewicz, Visual Effects Supervisor at Crafty Apes. When it comes to tall orders, I’m a Virgo Visual Effects Supervisor Todd Perry asked Crafty Apes VFX to produce a 13-foot high teenage protagonist named Cootie, who gets to experience the world beyond his sheltered existence for the first time in the satirical Prime Video series created by director/writer Boots Riley.
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